

IDFA is a leading international documentary festival, and at the same time much more than an audience-oriented festival focusing just on film. DocLab, for example, is a platform for innovative, interactive documentaries. In addition, every year IDFA organises two professional markets as well as a range of activities for talent, schools and students.
One significant new development is Het Documentaire Paviljoen venue in Amsterdam’s Vondelpark, where programmes are presented all year round. This marks the next step in IDFA’s transformation from a festival into a multifaceted, dynamic institute for creative documentary focused around (film)makers, audiences and school students. Founded, as always, on the fundamental principles of artistic quality, social commitment and a wide reach, supported by the major pillars of inclusivity, innovation and sustainability.
The organisation has 50 employees year-round, and this number doubles shortly before the festival period with the addition of temporary staff and interns. IDFA believes in the power of the creative documentary as a personal and artistic vision of complex social issues. These are films that structure opinions, reveal both vulnerability and inspiration, and stimulate social debate.
IDFA primarily serves documentary film and the film community and promotes an open, pluralist understanding of documentary art. IDFA strives to improve the international documentary climate by devoting greater attention and care to, and demonstrating solidarity with, independent makers and their creative processes, as well as by acting in an inclusive manner and giving a voice to under-represented filmmakers.
The two directors make up a collegial board accountable to the Supervisory Board. They allocate tasks and responsibilities in consultation, while mutual ultimate responsibility remains assured.
The artistic director is jointly responsible for strategic policy and is specifically responsible for the organisation’s artistic and creative course. The aim is to ensure that IDFA is and remains artistically relevant, leading, inclusive and innovative within both the Dutch and international contexts.
The artistic director supervises hierarchically the heads of the programming, filmmaker support, industry, education and DocLab departments. In addition, s/he provides concrete input and support to the other departments that are hierarchically supervised by the managing director, such as development, finance, HR, communication and production.
The directors of IDFA act as the organisation’s figurehead both internally and externally, nationally and internationally. They safeguard IDFA’s leading worldwide position and chart the organisation’s strategic course. This encompasses both IDFA’s broad social aims and specific positioning within the film community at local, national and international levels.
The directors implement the Cultural Governance Code and work closely with the Supervisory Board on the further development of administrative relations. They are also jointly responsible for compliance with and implementation of the Fair Practice Code and the Diversity & Inclusion Code.
IDFA stands on strong foundations, but a world characterised by rapid change, uncertainty and polarisation is making continuous innovation, re-calibration and strategic positioning essential. This demands a high degree of strategic insight, flexibility and situational awareness from the directors.
In spite of the dynamics outlined above, IDFA will continue to present international, artistically authoritative programmes, with the aim of reaching a wide, stable audience in the Netherlands. Inclusivity and diversity remain anchored in IDFA’s DNA, and in all of its activities.
In operational terms, IDFA along with other film festivals is taking further steps in the fair pay process. Although the structural subsidy for the next four years is guaranteed, this will not increase. A situation that will bring financial challenges. For this reason, it is explicitly expected that the artistic director will, in addition to setting the artistic course, also support the foundation’s financial goals and actively contribute to fundraising activities.
Do you see yourself in this role? Then we want to hear from you! Click on the apply button and upload your cover letter and CV no later than on 7 March 2025.
For questions concerning the application process, contact Saskia Knol, HR Manager, on +31 6 52633570.
HR Manager
HR Manager